In iAfrican-American Servitude & Historical Imaginings/i Margaret Jordan initiates a new way of looking at the African-American presence in American literature. Twentieth-century retrospective fiction is the site for this compelling investigation about how African-American servants and slaves have enormous utility as cultural artifacts, objects to be acted upon, agents in place, or agents provocateurs. Jordan argues that those who serve, even those seemingly innocuous, infrequently visible, or silent servants are vehicles through which history, culture and social values and
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